Kids were laughing, and even more surprising, their parents were laughing all the way through this inventive, fast-paced caper. Hoodwinked! dismantles the traditional tale of Little Red Riding Hood, uncovering the various untold stories behind each major player-Red (voiced by Anne Hathaway), the Wolf (Patrick Warburton), the Woodsman (Jim Belushi), and Granny (Glenn Close). A host of new characters play memorable supporting roles, including the funniest mountain goat you've ever seen (Benjy Gaither, son of the gospel music legends Bill and Gloria Gaither), a grizzly policeman (Xzibit), a hyperactive squirrel (Cory Edwards), and a frog who should get his own series on PBS' "Mystery!" (David Ogden Stiers).
Box office analysts had predicted a showdown between the basketball movie Glory Road and the Queen Latifah comedy Last Holiday. But now you can call Edwards' film "The Little Red Riding Hood that Could." Edwards, already working on a sequel, is something of a pioneer, as a Christian working in the world of big screen animation-as Peter T. Chattaway notes in his review at Christianity Today Movies, Edwards is also known for his stand-up comedy and for hosting Reasons to Believe with Hugh Ross.
Edwards recently told me that Looney Tunes cartoons were a big influence on him and his co-writers, Todd Edwards and Tony Leech. "People keep asking how you write for adults and for kids, and I still haven't figured out a good answer. All we did was write what we thought was funny." He points out that Chuck Jones and Pixar's John Lasseter have claimed the same thing. "We just write for us. I don't know if that means we're a little bit childish, but we wrote what was funny for us. And I think kids are faster and more quick-witted than we sometimes think. I've written kids' 'product,' but I never write down to children. Even when there's a few jokes they can't quite grasp, they're glad to be a part of it. They're glad to be laughing with the adults."
Edwards, who said he "never thought that my first film would be animated," had also served as producer on Chillicothe, a 1999 independent, live-action film directed by his brother Todd which won favorable reviews at festivals. He also created Wobots, a computer-animated sci-fi adventure for kids released on DVD. Hoodwinked! has made him think about more animated projects, and he describes the experience as "a control freak's dream. 'Can we move the sun over there? Can we delete these trees?'" But he confesses, "I can't wait to get actors in front of cameras again, after being in a room with computers for three years."
Christian film critics are especially impressed at how the film entertains without stooping to crass humor.
Chattaway begins his review by asking readers, "Looking for something a little like VeggieTales, only a little more grown-up and a little more mainstream? Looking for something a little like Shrek, but without the innuendo and other kinds of adolescent humor? Either way, Hoodwinked! may be the movie for you."
He calls the film "a wacky, computer-animated riff on classic stories, with a few decidedly modern twists and a handful of pop-culture references. It's also safe for most kids." He points out that some of the jokes are "out of date" and that the animation is less sophisticated than what super-studios like Pixar and Dreamworks turn out. But he concludes that "there's something to be said for keeping the special effects out of the way and letting audiences enjoy the humor for what it is. Hoodwinked! isn't a classic for the ages, but it's suitable entertainment for audiences of any age."
"It is a rare movie that is truly funny for both kids and their parents," says Stephen McGarvey (Crosswalk). "Yet the comical Hoodwinked! is a surprisingly hysterical offering after a year of underwhelming computer animated films. [The movie] ... provides a clever bit of comic storytelling while steering clear of the innuendo or crudity common in even children's movies these days."
Bob Smithouser (Plugged In) says, "Hoodwinked! is clean, clever and fast-paced. ... [U]nlike Shrek's shotgun tweaking of all tales fairy, this witty CG feature deconstructs a single fable and does it without resorting to crude language, double entendres or bathroom humor. Furthermore, I didn't feel like I was doing penance sitting through it a second time with my kids. Older, more sophisticated viewers will appreciate the story for its intricate architecture, snappy dialogue, outstanding voice work ... and subtle cultural references."
Mainstream critics aren't quite as enthusiastic. Some are discrediting it for not living up to the animation standards of a Pixar or Dreamworks picture, but this was a hurriedly made, lower-budget feature from an fledgling animation studio. The fact that the film is consistently funny, clever, and entertaining in spite of its B-grade CGI makes it a worthwhile time at the movies.
It's no surprise that a children's movie that doesn't feature violence, sexual innuendo, bathroom jokes, or hint at gay romance would not be well received by mainstream critics. All the more reason, we suppose, to make it a point to go see it.