Tuesday, March 30, 2010

A Serious Man

Imagine a movie made by Woody Allen whose script was written by Franz Kafka based on Albert Camus' Myth of Sisyphus and you have the Coen brothers' latest film, a dark comedy titled A Serious Man. The protaganist of the story is a Kafkaesque character (think of Joseph K. in The Trial) living in a world that seems completely inscrutable.

Aside from being a physics professor, Larry Gopnik (Michael Stuhlbarg) is a very ordinary man, but his life is falling apart by the hour. His wife is in love with Gopnik's colleague and wants a divorce, his kids are incessant whiners, his socially inept brother has moved in and won't move out, a student tries to bribe and then sue him for a higher grade, and, as with Job whose enquiries among his friends for an explanation for his miseries were ultimately futile, no one Larry goes to for help has any answers. The more deeply we enter Gopnik's life the more surreal it all becomes. One can't help think that Larry's 1967 midwestern neighborhood is a concoction of the mind of Lewis Carroll, author of the logically bizarre world in Through the Looking Glass.

Larry Gopnik tries valiantly to make sense of it all, he strives to find the meaning in the trials he faces, but he never succeeds. The insanity of his life is invincible. None of the situations which plague him ever gets resolved. His life is absurd, and this seems to be what the Coen brothers' wanted to say in this film. This is the existential burden borne by modern man. His life seems meaningless, nothing is certain (the film makes a point of exploiting the weirdness of the principles of quantum physics), nothing makes sense, nothing is ever resolved. Even the structure of the film bears the stamp of this absurdity. The prologue of the film has nothing at all to do with the main story.

Even so, the movie is very well done and, for the philosophically-minded, very much worth watching (caution: it's R-rated for language, which is as irksome as it is jejunne, and one scene of sexuality). Some scenes are genuinely funny, there are multiple layers of symbolism to contemplate in the film, and those who ponder the point and purpose of human existence will find Larry Gopnik's life an excellent stimulus for reflection.

RLC